United States Medical Center for Federal Prisoners, Springfield
I Heard You Paint HousesThe United States Medical Center for Federal Prisoners, Springfield, was the prison hospital to which Frank Sheeran was transferred when severe arthritis made his condition worse. In his recollection, the institution became an unexpected place of renewed closeness with Russell Bufalino: confined and physically diminished, the two men shared small routines, spoke privately about Jimmy Hoffa, and encountered questions of faith and remorse.
Transfer and Circumstances
Sheeran said the warden at United States Penitentiary, Sandstone, sent him to the hospital in Missouri when his arthritis became serious. Russell Bufalino was there too, using a wheelchair after a stroke. The transfer therefore brought Sheeran back alongside a man he had long regarded as his teacher and close friend, but now in a setting shaped by illness, limited mobility, and prison routines.
The account makes the hospital’s everyday constraints concrete. Commissary privileges came only once a week, so Sheeran paid other inmates who had access to commissary to obtain ice cream for Bufalino. That recurring errand turned care into a small, practical ritual. During Sheeran’s stay, his daughter had her first baby; Bufalino, who had heard the news from his wife, came out to the bocce court to tell him.
Shared Routines and Conversation
Despite being in a wheelchair, Bufalino played bocce on the grounds. Sheeran recalled that Bufalino could still play well for his age, and that he sometimes gave Sheeran a small shot after Sheeran beat him at gin. These details place their friendship not only in their conversations about the past but in repeated acts of recreation, teasing, and attention to one another’s needs.
They also spoke alone about Jimmy Hoffa. Sheeran said that he learned further details about what had happened and that neither man had wanted events to go as far as they did. In his account, both felt Hoffa did not deserve his fate and remembered him as a nice man with a nice family. The hospital conversations thus joined personal intimacy to a shared acknowledgment of the harm at the center of their history.
The Chapel and Its Significance
One Sunday, as Sheeran headed toward the bocce court, he saw an attendant wheeling Bufalino to the chapel. Sheeran asked where he was going and laughed when Bufalino said he was going to church. Bufalino replied, “Don’t laugh, my friend. When you get to be my age you’ll realize there’s something more than this.” Sheeran later said those words stayed with him.
The chapel episode gives the location a significance beyond medical care. In Sheeran’s telling, the same institution held the ordinary business of prison life—the weekly commissary, games, and shared errands—and a moment of spiritual seriousness. The recollection places that exchange alongside the men’s regret over Hoffa, making the hospital a setting where friendship persisted while the moral weight of the past remained unresolved.